the pilot
One episode, all five stations
- Up to 60 minutes of finished audio
- One round of timestamped revisions
- Reviewable master within 72 hours
- Published to your feed on approval
00:00:00 — podcast production, Bronx, NY
Kalliope Audio produces podcasts for brands and independent hosts. You send raw takes; we return an episode edited for pace, mixed for clarity, mastered to the loudness the platforms expect, written up, and published to your feed.
Billed per engagementPilot episode $415Single episodes in 72 hours
00:04:12 — the signal path
Buy one station or the whole path. Prices are per episode for runtimes up to sixty minutes; anything longer is quoted on the scoping call, before a single file changes hands.
Dialogue edited by ear, not by algorithm. False starts, crosstalk and the third “you know” go where they cost attention, and stay where they carry personality.
from $185/ episodePer-voice EQ and compression, spectral repair of hum and HVAC, music beds ducked under speech, room tone matched across every cut.
$140/ episodeIntegrated loudness to −16 LUFS, true peak held under −1 dBTP, then a final listen on monitors, earbuds and a phone speaker.
$65/ episodeA summary written like a magazine standfirst, chapter timestamps, guest links and two social captions in your house style.
$55/ episodeUploaded to your host, ID3 tags and artwork checked, episode scheduled to Apple Podcasts, Spotify and the rest of the feed.
$40/ episodeEach engagement is scoped in writing after the call. One invoice, one engineer for the run, one round of revisions per episode.
One episode, all five stations
Eight episodes — $370 each
Twelve episodes for a company show
00:11:38 — the specification
Taste is arguable. Specifications are not. Every master we deliver meets these, and every delivery note says so in writing.
The stereo loudness target Apple Podcasts recommends, so your episode sits level with the one before it in the queue.
A ceiling that survives the platforms’ MP3 and AAC encoders without a single clipped consonant.
Our working format, whatever you recorded on — a phone, a Zoom call or a proper interface.
From received files to a reviewable master on single episodes. Seasons run to a calendar we agree up front.
00:17:05 — the house view
Notes from the edit desk at 4001 White Plains, Bronx, NY.
Most podcasts don’t lose listeners to bad ideas. They lose them in the fourth minute — to a sentence that circles twice before landing, to a guest twelve decibels quieter than the host, to a music bed that never quite gets out of the way.
We treat production as editing in the magazine sense: decide what the piece is, then remove everything that argues with it. A pause stays because it lands a joke. A tangent goes because it buries one. Neither call is made by software.
So we work slowly where it matters and quickly where it doesn’t. The razor comes out for pace; the meters come out for compliance; the conversation stays recognisably human — breaths, laughs and all.
We produce from your files. Most shows record remotely on Riverside or Zencastr, or locally on an interface; before your first session we send a one-page recording brief so the raw material arrives usable.
Per engagement, never by subscription. After the scoping call you approve a written scope and price, and we invoice against exactly that — no hourly meter running in the background.
Every episode includes one full round of revisions from timestamped notes. Pilot clients usually spend it calibrating: how tight the pacing, how much of the host’s laugh survives.
Yes. Send two published episodes and the raw files of the next; we match the existing sound first and only suggest changes once your audience wouldn’t notice the handover.
00:23:50 — inside the studio
The stations above happen in three places, each with its own tools and its own discipline. Here is what your recording meets at each one.
Two passes on every recording: one for structure, read like a transcript; one for rhythm, heard at full speed. Cuts land on breaths, never on consonants.
Every mix is checked on three systems, because your audience listens on all three — usually on the subway, occasionally in the car, rarely in a quiet room.
The last station is clerical and we take it seriously: episode and season numbers, chapter markers, artwork checked at 3000 × 3000, and a publish time that suits your listeners rather than ours.
00:31:24 — open a session
Calls are by appointment. What it is, who it’s for, how often it lands — that’s enough for a first conversation and a written quote.
Scoping calls run about thirty minutes and cost nothing.
Card or bank transfer, against the scope you approved.
00:36:00 — last segment
The pilot is $415: edited, mixed, mastered to −16 LUFS, written up and published to your feed. If it sounds like your show on its best day, we’ll talk about the season.